Women in Film
The Spectre of Ophelia in ‘Fatal Frame’
‘Timestalker’: A Cosmic Horror Romance
Why Female Cannibals Frighten and Fascinate
Inside The Film Festival Asking, Why Are Women So Good At Horror?
Twin thriller ‘Superior’ is a confident debut
10 Feminist Horror Movies That Will Make You Appreciate the Genre in a Whole New Way
Indeterminate Past: Death, Regret and Time Travel in Mattie Do’s The Long Walk
Kicking the door down: Lessons from the women in screen workshop
13 Female Monsters You’ll Meet in a Horror Film
Rose Plays Julie
To Just Survive as the Final Girl Is Not Victory
Canyon Cinema: radicalising representation in women’s filmmaking
Pelican Blood
Kate Robertson 