Kate Robertson
Writing + Research + Communications
Menu
Skip to content
About
Portfolio
Current Projects
BOOK: Australian Artists Abroad, 1890-1914
BOOK: Trouble Every Day
PROJECT: The Man-Eater
NEWSLETTER: Final Girls & Femme Fatales
Events
Contact
Film
Indeterminate Past: Death, Regret and Time Travel in Mattie Do’s The Long Walk
Metro
Rose Plays Julie
Rue Morgue
Why Female Cannibals Frighten and Fascinate
The Atlantic
The Spectre at the Window: Tracey Moffatt’s beDevil (1993)
Senses of Cinema
Inside The Film Festival Asking, Why Are Women So Good At Horror?
i-D
‘Stranger Things’ Easter Eggs You Probably Missed If You Weren’t Alive In The ’80s
Complex
10 Feminist Horror Movies That Will Make You Appreciate the Genre in a Whole New Way
Marie Claire
Canyon Cinema: radicalising representation in women’s filmmaking
RealTime
Katy Perry’s Cannibalistic ‘Bon Appétit’ Reveals Our Fantasy of Devouring Women
Broadly
A Definitive Ranking Of ’90s Teen Horror Films You Need To Watch This Spooky Season
Junkee
Does Anaconda Actually Suck?
Vice
13 Female Monsters You’ll Meet in a Horror Film
Paste
Pushing the audience: The Sydney Underground Film Festival
Overland
Ten Years After ‘Teeth’, We’re Still Afraid And Compelled By Vagina Dentata
i-D
The Most Demoralising Reinvention Movies To Watch In The New Year
Junkee
Posts navigation
←
Previous
Add your thoughts here... (optional)
Post to
Cancel