Kate Robertson

Writing + Research + Communications

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Film

Indeterminate Past: Death, Regret and Time Travel in Mattie Do’s The Long Walk

Metro

Rose Plays Julie

Rue Morgue

Why Female Cannibals Frighten and Fascinate

The Atlantic

The Spectre at the Window: Tracey Moffatt’s beDevil (1993)

Senses of Cinema

Inside The Film Festival Asking, Why Are Women So Good At Horror?

i-D

‘Stranger Things’ Easter Eggs You Probably Missed If You Weren’t Alive In The ’80s

Complex

10 Feminist Horror Movies That Will Make You Appreciate the Genre in a Whole New Way

Marie Claire

Canyon Cinema: radicalising representation in women’s filmmaking

RealTime

Katy Perry’s Cannibalistic ‘Bon Appétit’ Reveals Our Fantasy of Devouring Women

Broadly

A Definitive Ranking Of ’90s Teen Horror Films You Need To Watch This Spooky Season

Junkee

Does Anaconda Actually Suck?

Vice

13 Female Monsters You’ll Meet in a Horror Film

Paste

Pushing the audience: The Sydney Underground Film Festival

Overland

Ten Years After ‘Teeth’, We’re Still Afraid And Compelled By Vagina Dentata

i-D

The Most Demoralising Reinvention Movies To Watch In The New Year

Junkee

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